Mary Poppins

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Template:Infobox Movie Mary Poppins is the central character in a series of children's books written by P. L. Travers and illustrated by Mary Shepard, which were subsequently adapted for film, and the stage.

The first book, Mary Poppins published in 1934, introduced the mysterious anti-heroine, a vain, acerbic magical English nanny blown by a windstorm to Number Seventeen Cherry-Tree Lane,London and into the Banks household to care for the Banks children; Jane (the eldest), Michael, and twin babies John and Barbara. Encounters with chimney sweeps, pavement artists, shopkeepers, and various adventures follow until Mary Poppins abrupty leaves. Her sudden return in Mary Poppins Comes Back heralds more of the same, as does Mary Poppins Opens the Door. The other books in the sequence, P.L. Travers explains in her introduction to Mary Poppins in the Park, describe incidents which happened during any of these three visits, for 'Mary could not forever arrive and depart.'

Some of the themes in the novels may have been influenced by the author's relationship with G. I. Gurdjieff, the Greek Armenian mystic and "teacher of dancing", whom she met in 1938.

Contents

Books

The 1964 film

The first book was the main basis for the Walt Disney film Mary Poppins, a musical with mixed live action and animation released on August 29, 1964. The multiple Academy Award-winning film is considered by many critics to be the best of Disney's live-action musicals and it made a major film star of Julie Andrews, who was making her movie acting debut after a successful stage career. Andrews got the prime role of Mary Poppins soon after being passed over by Jack Warner for the role of Eliza Doolittle in his screen version of My Fair Lady, even though Andrews had originated the role on Broadway. (The part went to Audrey Hepburn, who was cast for the part in 1962; filming was delayed until mid-1963 because of her pregnancy.)

Disney cast Dick Van Dyke in the key supporting role of Bert, thanks to his work on The Dick Van Dyke Show. Van Dyke also played an elderly banker in the film. Although he is fondly remembered for this film, Van Dyke's attempt at a cockney accent was nonetheless widely ridiculed and is still frequently parodied. It is still often cited as the worst attempt at a British accent by an American actor, a fact acknowledged with good humor by Van Dyke himself on the 2004 DVD release of the film.

Image:JulieAndrews.jpg
Mary Poppins (right, behind) as portrayed by Julie Andrews in the most famous adaptation of the character.

According to the 40th anniversary DVD release of the film in 2004, Walt Disney first attempted to purchase the film rights to Mary Poppins from P.L. Travers as early as 1938 but was rebuffed because Travers did not believe a film version of her books would do justice to her creation, plus Disney at the time was known primarily as a producer of cartoons and had yet to produce any major live action work. For more than 20 years, Disney periodically made efforts to convince Travers to allow him to make a Poppins movie. He finally succeeded in 1961, although Travers demanded and got script approval rights. The process of planning the film and composing the songs took about two years. Travers objected to a number of elements that actually made it into the movie. Rather than original songs, she wanted the soundtrack to feature known standards of the Edwardian period in which the movie was set. She also objected to the animated sequence.

Many elements in the film, including the music, may have been influenced by the highly successful stage musical Oliver! composed by Lionel Bart in 1960 and later filmed in 1968.

A number of other changes were necessary to condense the story into feature length. In the movie, there are only two Banks children, Jane and Michael. Mary Poppins' character as portrayed by Andrews in the film is somewhat less vain and more sympathetic toward the children than the nanny in the original book. Bert, as played by Van Dyke, was a composite of several characters from Travers' stories. Travers demanded that any suggestions of romance between Mary and Bert be eliminated, so lyrics were written for "Jolly Holiday" that clearly indicated that their friendship was purely platonic (some subtle hints of romance remain, however).

As mentioned above, Van Dyke played two roles in the film. Andrews did at least three: she provided the robin's whistling harmony during "A Spoonful of Sugar", and was also one of the "pearly" singers during "Supercalifragilisticexpialidocious". David Tomlinson, besides playing Mr. Banks, also provided the voice of Mary's talking umbrella as well as numerous other voice-over parts (including that of Admiral Boom's first mate). During the "Jolly Holiday" sequence, one of the singing animals was voiced by Marni Nixon. Nixon also provided the singing voice for Audrey Hepburn's Eliza Doolittle in My Fair Lady — the film for which Julie Andrews was passed over despite playing the role in London and on Broadway. Nixon would later play one of Julie Andrews' fellow nuns in The Sound of Music.

Interpretations

Several film scholars have written interpretations of the film, including several attempts by structuralist semiologists suggesting that the film has a subliminal and symbolic subtext, intended to prepare America's youth for the political radicalism of the 1960s. Such analysis generally points to politically progressive or radical themes touched on in the film, including women's suffrage, the plight of the homeless, and animal rights, as well its mockery of British Naval militarism, and the anti-Capitalist implications of the Banks' children fomenting a panic at their father's bank. The scholars' analyses also suggest that the children's list of requirements for a new nanny can be viewed as a sort of seminal political document (similar to the Magna Carta or Declaration of Independence) and Mary Poppins "pops in" as a sort of anarchist mentor, who consorts with chimney sweep Bert and his friends, iconoclastic representatives of a blighted urban proletariat, in an Edwardian London fattened by imperialism in its final days before World War I.

This progressiveness theory is undercut or countered somewhat at the end of the film, when Glynis Johns throws away her suffragist banner and joins husband and children in the family kite-flying get-together. By far the strongest message at the film finale seems to be the very conservative ideal of 'family first'. Both parents had been neglecting their children as they pursued their own presumably self-involved activities. In this alternate viewpoint, far from being an anarchist mentor, Mary Poppins is arguably an angel or a God-figure, sent to rescue the family from itself, as it were.

Mrs. Banks' tying her banner to the kite at the end of the film could have also represented Mr. Banks' acceptance of her women's sufferage cause, foreshadowing his becoming a very progressive-minded man, while at the same time suggesting that both he and Mrs. Banks will put their children first. Everyone wins!

Songs

  • "Sister Suffragette" — Glynis Johns, Hermione Baddeley and Reta Shaw, with non-singing interruptions by Elsa Lanchester. Also briefly heard in an a capella rendition by Johns and a music-only version in the "Step in Time" sequence.
  • "The Life I Lead" — David Tomlinson (later reprised with Julie Andrews)
  • "The Perfect Nanny" — Karen Dotrice and Matthew Garber
  • "A Spoonful of Sugar" — Julie Andrews
  • "Jolly Holiday" — Dick Van Dyke and Julie Andrews, with Thurl Ravenscroft, Marni Nixon, Paul Frees and others
  • "Supercalifragilisticexpialidocious" — Julie Andrews and Dick Van Dyke with J. Pat O'Malley and others
  • "Stay Awake" — Julie Andrews
  • "I Love to Laugh" — Dick Van Dyke, Julie Andrews and Ed Wynn
  • "Feed the Birds (Tuppence a Bag)" — Julie Andrews (Walt Disney's favourite song from the score)
  • "Fidelity Fiduciary Bank" — Dick Van Dyke, David Tomlinson and others
  • "Chim-Chim-Cheree" — Dick Van Dyke and Julie Andrews (won the Academy Award for "Best Original Song")
  • "Step in Time" — Dick Van Dyke
  • "A Man Has Dreams" — David Tomlinson and Dick Van Dyke. This is a slower-paced rendition of "The Life I Lead" which incorporates a modfied version of "A Spoonful of Sugar".
  • "Let's Go Fly a Kite" — Glynis Johns, David Tomlinson, Dick Van Dyke and others

Deleted songs

A number of other songs were written for the film by the Sherman Brothers and either rejected or cut for time. Richard Sherman, on the 2004 DVD release, indicated that more than 30 songs were written at various stages of the film's development. No cast recordings of any of these songs have been released to the public, only demos or later performances done by the songwriters — with the exception of the rooftop reprise of "Chim-Chim-Cheree" and the "smoke staircase yodel" mentioned below.

  • "The Chimpanzoo", was originally to follow "I Love to Laugh" during the Uncle Albert "ceiling tea party" sequence, but it was dropped from the soundtrack just before Julie Andrews and company were to record it. The fast-paced number was not unveiled to the public until Richard Sherman, aided by recently uncovered storyboards, performed it on the 2004 DVD edition. The recreation suggests it was to have been another sequence combining animation and live action.
  • "Practically Perfect" was intended to introduce Mary but instead the melody of the piece was used for "Sister Suffragette" (used to introduce Mrs. Winifred Banks).
  • "The Eyes of Love", a romantic ballad, was intended for Bert and Mary, but according to the Shermans this song was vetoed by Julie Andrews herself.
  • "Mary Poppins Melody" was to be performed when Mary introduces herself to the children. Elements of the song later became part of "Stay Awake". The melody was the basis for a couple of other songs that were ultimately cut from the film.
  • "A Name's a Name". Heard on a recording taken of a meeting between the Sherman Brothers and P.L. Travers, this song was originally intended for the nursery scene that later became "A Spoonful of Sugar." The melody was reused for "Mary Poppins Melody".
  • "You Think, You Blink" was a short piece that Bert was to sing just before entering the chalk painting (and starting the "Jolly Holiday" sequence). In the film, Dick Van Dyke simply recites the lyric instead of singing it.
  • "West Wind" was a short ballad to be sung by Mary. The song was later retitled "Mon Amor Perdu" and used in the later Disney film, Big Red.
  • "The Right Side" was to be sung by Mary to Michael Banks after he gets out of bed cranky.
  • "Measure Up" was to accompany the scene in which Mary takes the tape measure to Jane and Michael.
  • "Admiral Boom" was to be the theme song for the cannon-firing neighbor of the Banks Residence, but it was cut by Walt Disney as being unnecessary. The melody of the song remains in the soundtrack, and is the bombastic theme heard whenever Boom appears on screen. One line from this song ("Greenwich, they say, takes its time from Admiral Boom!") is spoken by Bert early in the film.
  • "Sticks, Paper and Strings" was an early version of "Let's Go Fly a Kite."
  • "Lead the Righteous Life", an intentionally poorly-written hymn, was to have been sung by Katie Nanna (Elsa Lanchester) along with Jane and Michael prior to Mary Poppins' arrival. The melody was later reused for a similar song in The Happiest Millionaire
  • "The Pearly Song" was not deleted per se but was instead incorporated into "Supercalifragilisticexpialidocious".
  • The Compass Sequence, a precursor to "Jolly Holiday", was to be a multiple-song sequence. A number of possible musical components have been identified:
    • "South Sea Island Symphony"
    • "Chinese Festival Song"
    • "Tim-buc-too" — elements of this were reused for "The Chimpanzoo" which was also cut
    • "Tiki Town" — the melody was reused for "The Chimpanzoo"
    • "North Pole Polka"
    • "Land of Sand" — later rewritten as "Trust in Me" for the animated version of The Jungle Book
    • "Beautiful Briny" — later used in Bedknobs and Broomsticks
    • "East is East" — another variation on the unused "Mary Poppins Melody".
  • The "Step in Time" sequence ends with the chimney sweeps being scattered by an onslaught of fireworks fired from Admiral Boom's house. In the final film, the scene plays out with sound effects and no music. The DVD release included the original version of the scene which was accompanied by a complex instrumental musical arrangement that combined "Step in Time", the "Admiral Boom" melody (see above), and "A Spoonful of Sugar."
  • Andrews recorded a brief reprise of "Chim-Chim-Cheree" which was to have accompanied Mary, Bert, and the children as they marched across the rooftops of London (an instrumental reprise of "A Spoonful of Sugar" was used instead).
  • Andrews also recorded a brief yodel which breaks into the first line of "Chim-Chim-Cheree" which was to have been used to "activate" the smoke staircase prior to the "Step in Time" number. Although cut from the film, footage of Andrews performing this exists and was included on the 2004 DVD. The DVD also indicates that an alternate version of the yodel performed by Dick Van Dyke may also exist.

The Cat That Looked at a King

In 2004, Julie Andrews appeared in an animated/live action short that was produced by DisneyToon Studios for the 40th anniversary DVD release of the 1964 film. Entitled The Cat That Looked at a King, the film was based upon part of the P.L. Travers book Mary Poppins Opens the Door and could be seen as something of a sequel or followup to the movie.

The film opens in the modern day with two British children looking at chalk drawings at the same location where Bert did his artwork in the original movie (the set was recreated, down to the last detail). Andrews, dressed in modern clothes, greets the children and takes them into the chalk drawing where they watch the tale unfold. The King is voiced by David Ogden Stiers.

Whether Andrews is playing a modern-day Mary Poppins or not is left to the viewer's imagination, although some sources identify Andrews' character as Mary Poppins.[1]

The stage musical

On 15th December 2004 Cameron Mackintosh's stage adaptation of the Disney film adaptation opened at Prince Edward Theatre, London to enthusiastic critical acclaim. The part of Mary was taken by Laura Michelle Kelly, who subsequently won the 2005 Olivier Award for Best Actress in a Musical for the role. Her co-stars included Gavin Lee (Bert), David Haig (Mr Banks) and Linzi Hateley (Mrs Banks).

There was additional music and lyrics by George Stiles & Anthony Drewe, composers of the Olivier Award winning Honk, and the book was written by Julian Fellowes. It was directed by former National Theatre artistic director Richard Eyre and co-directed by Matthew Bourne, who also acted as co-choreographer with Stephen Mear. Some elements from the books that had been omitted from the film — the walking statue, the ladders rising to the stars — were restored. Others were removed, such as the scene in which Uncle Albert gets caught on the ceiling, laughing.

Stephen Sondheim wrote an adaptation of Mary Poppins as an assignment during his 'apprenticeship' under Oscar Hammerstein II. The adaptation has never been performed, because the rights holders for the book did not grant permission for the show to go into production. The musical remains unfinished.

As of the 31st October 2005, the role of Mary Poppins is to be played by Scarlet Strallen.Aden Gillet will join the cast to play George Banks. Meanwhile, Eliza Lumley will take on the role of Winifred Banks, Sarah Flind will play Mrs Brill, Ray C Davis will appear as Park Keeper and Andrew Pepper as Robertson Ay. Rosemary Ashe will continue as Miss Andrew and Julia Sutton as Bird Woman.Gavin Lee will continue as Bert.

The musical will open on Broadway on November 16, 2006 at the New Amsterdam Theater.

Characters

Mary Poppins

"Practically perfect in every way", she comes down from the clouds in response to the Banks childrens' advertisement for a nanny. Her personality can be abrasive at times. She is also vain and acerbic, and not very sympathetic to the kids than in the Disney movie adaptation.

She was played by Julie Andrews. As a result, the role has caused her to suffer from immense typecasting.

Mrs. Banks

Mrs. Winifred Banks is the wife of George Banks and mother of Jane and Michael. She is more fully developed in the movie than in the books. She also appears in the stage musical.

The movie depicts her as a member of Emmeline Pankhurst's suffragette movement; a scatterbrained woman, who appears to neglect her children for her duties as a suffragette. Her main outfit is a blue and orange Edwardian-style dress with a white and blue sash that reads "Votes for Women" in black letters. She wears white gloves in the film (as did most Edwardian English women). Her song in the movie is "Sister Suffragette". The part was played by Glynis Johns.

Mrs. Banks' four "Votes for Women" sashes from the movie have all survived. One can be seen being "pulled out" of Richard M. Sherman's "special musicians' trunk" on the Musical Journey seen on the 2004 DVD release.

Mr. Banks

George Banks is Mary Poppins' employer. He works at the Fidelity Fiduciary Bank in the City of London, and lives at 17 Cherry Tree Lane with his wife, Winifred, and their children. He only addresses his wife by her name in most of the film. He is opposed to women's suffrage until the end of the film, when he kisses his wife and twirls her in the air. Most of the dramatic tension in the film involves his journey from disconnected family autocrat to fully engaged family man.

He was played by David Tomlinson.

The Banks children

Jane, Michael, John and Barbara. The last two are baby twins, who only appear in the books. Annabel is a younger child born in a later book, who also does not make a movie appearance.

Bert

Bert is a jack-of-all-trades and Mary's closest normal friend who is notable in that he is completely accustomed to her magic.

Minor characters

  • Ellen, the maid
  • The bird woman
  • Mrs. Brill, the cook
  • Admiral Boom and his assistant, Mr. Binnacle
  • Katie Nanna, the disgruntled nanny who quit the Banks family.
  • Robinson Ay, the manservant whose ineptitude and constant sleeping so irritates Mr. Banks. In Mary Poppins Comes Back it is suggested that he is the Dirty Rascal from the nursery rhyme King of the Castle. This character does not appear in the movie, possibly due to casting limitations in the 1960s.

Parodies

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External links

[2]

de:Mary Poppins es:Mary Poppins fr:Mary Poppins he:מרי פופינס (סרט) pt:Mary Poppins ru:Мэри Поппинс sv:Mary Poppins (film 1964)

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